![]() ![]() Describing the costumes more would ruin the surprise. But it is the pizazz and sparkle of the outfits made to open the Second Act in “Mermaid Outta Me,” a ditty about sailors being turned into the mythical sea creatures by starstuff, that stops the show. Kevin Jacob Koski, Penobscot Theatre’s resident costume designer, has clothed these characters perfectly. Green Rocks : As in the original novel, starstuff can do whatever magical thing the plot demands, including making people fly, extending life, and transforming ordinary animals. Lighting designer Jess Fialko, an assistant professor at the University of Michigan in Ann Arbor, floods the production with light that gives it an ethereal quality worthy of Neverland. Friendly Enemy: Black Stache is desperate to find a hero to serve as his Arch-Enemy, so when he believes he's found one, he becomes overjoyed and acts quite affable. The fly space above the stage lowers unevenly shaped pieces of cloth that look like shipwrecked sails. There’s been outrage over the failure by the Senate Judiciary Committee to release. Baltimore-based William Anderson uses all of the Opera House stage to create the docks where the story begins and the island where it ends. Sex trafficking of Black girls demands more attention. peter and the starcatcher (black stache 1) the drowsy chaperone (man in chair 2) peter and the starcatcher (black stache 2) the drowsy chaperone (man in chair 3) my fair lady (mr. The technical team for “Peter and the Starcatcher” is first rate. He keeps the action moving as much as the script allows, while wringing every laugh and then some from the show. All are delightful but Graham’s incredibly long fart is what young theatergoers will be giggling about all the way home.ĭirector Matt Hawkins, an associate professor at the University of Notre Dame in Indiana, brings out the best in his cast. Local talent in the show includes Aaron Kircheis, Bob Smith, Joshua Flanagan, Rebekah W Novak, Jeri Misler and Gibran Graham. Both are a bit old for their roles but the actors manage to capture their awkward, early inner teenager, especially when it comes to kissing. The Boy’s longing for a home and a real mother pulls at the heartstrings while Chester’s independent Molly defies the gender roles imposed on girls in the Victorian Age. Visiting actors Jackson Baker as the Boy and Emily Chester as Molly, the girl who will become Wendy’s mother in “Peter Pan,” are equally charming. He last appeared with the company in the bedroom farce “Don’t Dress for Dinner” in February 2020, a month before the pandemic shut down performing arts venues around the world. Dave Barry, Peter and the Starcatchers (Peter and the Starcatchers, 1). Varney is mesmerizing in the role, and theatergoers who are familiar with his work will be thrilled to see him take charge of the Opera House stage for the first time in nearly three years. Lanny McDonald, Wendel Clark, Jamie Macounthe mustache was as prevalent as the maple leaf on their (yes, ice hockey) jerseys. The actor, starring in his 50th production with the theater company, brings his usual infectious energy to the stage, and the cast feeds on it.
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